Aeolosomas' Journey

In this set of site-specific generative animations, a swarm of digital Aeolosoma worms is released into a pool of black and white abstractions. This form of life that lies in the microcosm of video-feedback, unveils the true organic nature of digital. And when superimposed by primitive geometric shapes, creates a variety of gnarly structural visual rhythms across the 9 screens of the Snodgrass Gallery.

KEVIN KRIPPER

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The challenges of working with a legacy of bug-filled technology has been my main obsession. Using self-developed tools, found footage from art history, and technological uchronias, my work engages with topics that explore notions of appropriation, authorship, techno-phobias, digital/organic nature, new media art conservation, and media archeology.

CATEGORIES

2023

Abiogenesis

Generative animations displayed on restored oscilloscopes and a modified Vectrex.

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2023

Syntonization

Generative "structural film" displayed as a real-time triptych for repurposed video-phone screens.

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2022

Aeolosomas' Journey

Site-specific generative animations for the TSI / Snodgrass Gallery.

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2017

Vsynth Totem

Generative animations in dialogue with Eduardo Pla's early films.

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2015

Deconstrucento

Generative animations projected on framed canvases.

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2014

Ticket #9818

Random instants of VRAM data interpreted as color presented in different formats.

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