Deconstrucento

Images of Italian Renaissance paintings are intervened in real-time by algorithms that simulate video compression artifacts. A subtle interaction of the artist rips the images of their iconic language taking them into more abstract forms of representation while losing their identification to their reference.

• First Itaú Cultural Visual Arts Award 2015-2016

KEVIN KRIPPER

EXHIBITIONS

|

CONTACT

The challenges of working with a legacy of bug-filled technology has been my main obsession. Using self-developed tools, found footage from art history, and technological uchronias, my work engages with topics that explore notions of appropriation, authorship, techno-phobias, digital/organic nature, new media art conservation, and media archeology.

CATEGORIES

2023

Abiogenesis

Generative animations displayed on restored oscilloscopes and a modified Vectrex.

View Details

2023

Syntonization

Generative "structural film" displayed as a real-time triptych for repurposed video-phone screens.

View Details

2022

Aeolosomas' Journey

Site-specific generative animations for the TSI / Snodgrass Gallery.

View Details

2017

Vsynth Totem

Generative animations in dialogue with Eduardo Pla's early films.

View Details

2015

Deconstrucento

Generative animations projected on framed canvases.

View Details

2014

Ticket #9818

Random instants of VRAM data interpreted as color presented in different formats.

View Details